Bringing Those Books Back to the Classroom: Tasks for Extensive Reading
Marc Helgesen
Miyagi Gakuin, Sendai |
Return to The Language Teacher Online
QUICK GUIDE
Key Words: Extensive reading, Speaking, Fluency tasks
Learner English Level:False beginner to Advanced
Learner Maturity Level:High school to Adult
Preparation Time:None, except buying toothpicks (story telling sticks)
Activity Time:15 - 30 minutes each
Throughout this issue, teachers have given a variety of reasons to have
students read extensively. Many of us have suggested much of the learners'
reading should happen outside the class. Still, it can be useful to do in-class
fluency tasks based on what the students read as homework. It gives the
learners a chance to share what they've been reading -- and, just as significantly,
their reactions to it. It also provides encouragement for reading (and
even a bit of pressure --if you aren't reading, you don't have anything
to talk about). The following are four quick ideas for bringing the students'
reading back into the classroom.
Instant Book Report
I've always hated prepared oral book reports. I'd rather have the learners
reading than spending a lot of time getting ready to talk about the books.
Instant Book Reports are quick and effective. Once or twice per semester,
walk into class and write the following on the board:
I read a book called ______________.
It's a _______________
mystery, science fiction book, love story, detective story
It's about ______________.
In the story, there was a problem. ____________.
The main characters are ____________.
I liked/didn't like it because ___________.
In class, students work in pairs. They simply talk about what they are
reading. The sentences on the board give them enough support to be able
to talk about a book. You may want to require partners to ask two or three
follow-up questions (e.g. ³Why did she go there?² When did that happen?²)
to encourage interaction and to make sure the partner is really paying attention.
Although no preparation time is required, it can be useful to give the students
one or two minutes to mentally prepare. One way to do this is to have them
close their eyes and, in a gentle, relaxed voice, ask questions and give
the sentence forms (e.g., You're going to talk about a book. What's the
title of the book? "I read a book called (blank)." What kind
of story was it? A mystery? Science fiction? etc.). This preparation time
lets them think about what they want to say and how they will say it. It
can make their instant book reports go more smoothly.
Draw a Picture
Many students are very good at drawing. Communication about books can
be as simple as asking the students to draw a picture. They think of any
book they've read. Give them five minutes to draw a picture of a scene from
the story. Then, in pairs or small groups they show the picture and explain
it. It's interesting to notice that pictures often get students to go beyond
the level of literal comprehension to make responses at higher emotional
and affective levels. Hint: If your students are good at drawing, they
may take too long to draw. This is English class, not art class. Forbid
erasers. Once they draw a line, it is there to stay. This forces the artists
to work faster. They don't have the option of redoing a line until it's
perfect.
How Many Questions?
How Many Questions? is another art related activity, but one based on
the illustrations in the books the students have been reading. Students
bring to class a book they have read. They each select one picture from
their book. Learners work in groups of three. One person shows the chosen
picture and explains it. Partners listen and ask as many questions as possible
(What's this person's name? Where is she? Why did she go there? etc.).
The goal is to ask as many questions as possible in a given period of time
(usually about three minutes per book). To do this as a game or to introduce
competition to encourage reluctant speakers, students get one point for
each question they ask.
Story Telling Sticks
Story Telling Sticks is an unusual but very effective follow-up activity.
Teachers familiar with the Silent Way, Islamabad, and other Cuisenaire rod
(Algebrick) techniques will recognize the idea behind it: If you have something
to manipulate as you tell a story, your listeners have something to look
at. They aren't looking at you so you don't get nervous. Also, the rods
serve as manipulables which make the story more concrete. "Story telling
sticks" could be done with rods, but in large classes having to buy
several sets of Cuisenaire rods is expensive. Instead, use toothpicks.
Begin by telling the student that, although these look like toothpicks,
they are actually storytelling sticks. The sticks will help them retell
any story they have read. To help the students understand what to do, start
with an OHP and a few toothpicks (actually, for the OHP, you might want
to use pieces of disposable chopsticks as they're more visible). Create
a kind of shadow play using the OHP light to tell a story, using the sticks
to represent the people, places, etc. Short sticks are for children and
small animals, longer sticks for adults. Sticks can also represent anything
from houses to mountains. The key is that they are watching the sticks (symbols)
rather than the storyteller. If you (or some of the students) are shy, this
is a refreshing change of pace for a speaking activity. After you've told
your story, divide the class into groups of two or three. Give each group
about 10 toothpicks. Learners tell the story from a book they recently read.
A useful follow-up is to have the listeners see how much they can remember
about each stick.
This article copyright © 1997 by the author.
Document URL: http://www.jalt-publications.org/tlt/files/97/may/shr_helgesen.html
Last modified: February 6, 1998
Site maintained by TLT Online Editor
|