Setting Up a Library of English-Language Movies
Julian Bamford
Bunkyo University, Shonan Campus |
I borrow videos almost every day. Why? It's simple. I want
to communicate with foreigners in English so I want to know how to express
what I think.
First-year university student
A library of movies on videotape is a useful addition to any foreign
language program. For motivated students, watching movies is a highly enjoyable
way of reviewing and expanding foreign language knowledge. For students
who have little motivation to learn the foreign language, movies can awaken
interest in the foreign culture and its language. For teachers, the library
is also a resource when planning lessons that include scenes from movies.
This article begins by looking at three characteristics of videotapes
suitable for an English language library, tapes which are (a) without Japanese
subtitles, (b) with English captions, and (c) at various levels of English
language difficulty. Suggestions for the kind of tapes to buy, and ideas
for setting up a selfaccess videotape library based on one I have set up
at my university follow. Finally, the two appendices list titles of recommended
videotapes and provide contact information for purchasing tapes and library
equipment.
Three Characteristics of Suitable Videotapes
Tapes without Japanese subtitles
The videotapes to be watched by English language students should almost
certainly be without Japanese subtitles because reading subtitles makes
it unnecessary to process the English soundtrack. Tapes of foreign movies
made and sold in Japan normally have Japanese subtitles, so the tapes for
the foreign language video library must be imported or purchased abroad.
Movies in English can be bought in most English-speaking countries. However,
they must be compatible with the NTSC video system used in Japan, and this
means that, in practice, tapes must be bought in the U.S. or Canada. Movies
bought in Britain or Australia can be played in Japan, but require a special
PAL system or multi-system video deck. This does not mean, however, that
a library must be restricted to movies made in the U.S. and Canada. U.S.
video companies sell a full range of British, Australian, and other English
language movies in the Japan-compatible NTSC format.
Tapes with English captions
Almost all new and many older movies sold in the U.S. and Canada have
closed captions encoded into the videocassette. These captions are closed,
that is, invisible, but by buying a decoding machine and plugging it in
between the video deck and TV, the closed captions can be opened, that is,
displayed on the TV screen. These captions, which usually appear at the
bottom of the screen like subtitles, are the words that the characters on
screen are speaking (often edited for length). My students at less than
advanced levels of English ability invariably report that reading the captions
while watching/listening to the movie makes the movie easier to understand,
and this is why they almost always prefer to watch videotapes with the captions
displayed. Videotapes for sale with closed captions carry either a
or mark on the case. Videotapes recorded from TV in the U.S.
may also have closed captions that can be opened with a caption decoder.
Tapes at various difficulty levels
Foreign language movies are challenging for language learners, but are
generally far easier to make sense of than foreign language books, magazines,
and newspapers. A major reason is that the core spoken vocabulary of a language
is smaller than its written vocabulary. In addition, storytelling in movies
does not rely on words alone; the images aid comprehension. Finally, movies
move relentlessly through "difficult" conversations, focusing
students on the general meaning and distracting them from details they may
not understand. At the same time, certain movies are easier to understand
than others, because the stories are straightforward (as in Disney animated
movies, for example), or because there is little specialized vocabulary
or slang. Movies that feature children, such as My Girl and Corrina,
Corrina, are also often easier to understand because child-child and
child-adult conversations use an even smaller vocabulary than adult-adult
exchanges. Beginning students will appreciate having a special section set
aside in the library of easy to understand movies. Beginners do not have
to restrict themselves to easy English movies, however. Any movie that students
have already seen in a dubbed or subtitled version becomes easy to follow
in the foreign language because they already know the story.
Choosing Tapes for the Library
A videotape library should be built around modern "classics"--that
is, movies from the 1980s and 1990s that were popular and are still remembered
in Japan. A representative list appears in Appendix A. Purchasing some of
these tapes will form an enduringly useful core for your library.
A videotape library that confines itself to the above will probably not
set the campus alight, however. Whenever possible, purchase some recent
hit movies that have just been released on tape. The ultimate step, if your
budget allows, is to regularly add new releases to the library. Instead
of a few students borrowing movies every now and then, an up-to-date library
attracts a steady clientele who use it on a regular basis to catch the new
movies they've been looking forward to, and to practice English in the process.
Where you buy your videotapes will depend on many factors, and three
options are listed in Appendix B. Tapes of older classic movies retail for
US$10-$30. New video releases are first sold at a higher price (about $100)
to video rental stores. Several months later, the price is usually reduced
to about $25 or $30 for direct sale. A few very popular movies are initially
sold at this lower "sellthrough" price, for example, Disney animated
movies, and recently Men in Black, My Best Friend's Wedding, and
The Lost World: Jurassic Park.
It is not always easy to find out the titles and dates of new video releases.
The U.S. edition of the monthly Premiere magazine lists this information,
but does not distinguish between movies that are released at the lower sale
price and those at the higher rental price. One solution is to let your
video dealer in Japan do the work for you. Nena (see Appendix B)
sends regular mailings listing hundreds of the latest releases to its customers.
The Bookstore (see Appendix B) imports a handful of the most popular
new videos and lists them in its catalog and on its homepage.
Setting up a Self-Access Videotape Library
The form of a video library will depend on one's interpretation of copyright
laws. The first decision is whether to lend an original tape or a copy.
It makes good sense to loan out a copy in order to protect the purchased
original. If the master videotape has been copied from one video deck to
another with a caption decoder hooked up in between, the captions can be
permanently imprinted on the copy. The school or teacher must decide whether
making a copy of a purchased videotape and its captions, in the words of
Japan's copyright law, "prejudices unreasonably" the interests
of the copyright holder(s) (quoted in Simons, 1995, p. 79). An excellent
summary of applicable laws, and guidelines for their interpretation can
be found in Copyright Law and Video in the Classroom (Casanave &
Simon, 1995).
Budget
An initial purchase of 20 to 30 tapes, at the cost of about 100,000 yen,
is probably a minimum for starting a library. An expenditure of 50,000 yen
per year thereafter would allow another 15 or so tapes to be added annually
(see Appendix B for more exact per tape costs).
Japanese title/running time
Since students know most foreign movies by their Japanese titles, it
is helpful to place a small label with the Japanese title on the video case.
It is also useful to add a label that clearly shows the running time of
the movie. The Japanese title of every foreign movie released in Japan can
be found in the Pia Cinema Club Yogahen, a movie encyclopedia published
every May. This reference work is also indispensable when students ask you
if you have a particular movie but they know only the Japanese title. Useful
for locating the exact American title of a movie is Leonard Maltin's Movie
& Video Guide, also published annually and available in many foreign
bookstores. It is a comprehensive listing of movies released in the US,
including plot summary, cast, rating, and running time.
A self-access tape library in action
Welcome to my university office. Lining one wall from floor to ceiling
are display racks of videotapes, the shelves labeled by genre (action, comedy,
drama, romance) with special sections for easy, difficult, and new movies.
There are about 250 tapes on display at any one time, and about 100 others
checked out. Students come and go, settling down to watch a tape at one
of the video deck/TV/headphone sets in the room, or checking out tapes for
home viewing.
Movies can be borrowed for a week except for new movies which can be
borrowed for three days, or one day only for a megahit. There is no limit
to the number of tapes that can be borrowed at one time. A library card
is enclosed in each case together with the videotape (see Figure 1). Students
fill out the card and drop it in an alphabetized file drawer. To return
a tape, students retrieve the card from the drawer, answer the two questions
on the card about how easy and how enjoyable the tape was, and drop the
case, with the videotape and card inside, into a return basket. A student
assistant later replaces the returned tapes in the display racks. On an
average day, about 20 tapes are borrowed and another 20 returned. Some popular
tapes, (e.g., Disney animated favorites) have been viewed as many as 100
times each, with the average being about 25 viewings per tape. Once a month,
the 10 or so students who are late returning their tapes are telephoned
and reminded about it.
Figure 1. Sample library card (with questions to check after viewing)
The videotape library is open to anyone on the campus, students, staff
and teachers alike. Enlarged photocopies of video cases, made on convenience
store color copy machines for 50 (B4-size paper) or 100 (A3size), make attractive
posters for advertising the library. Flyers are also put in the campus mailboxes
of all the English teachers at the beginning of the school year, encouraging
them to use the library and to tell their students about it.
In the last six years, about four tapes have disappeared and five more
fell victim to hungry video decks. This loss seems a small price to pay
for a library that is, according to their reports, an important part of
the English education of hundreds of students. As the student quoted at
the beginning of this article continued,
Watching videos gives me lots of knowledge and shows me how English-speaking
people talk to each other in daily language. I think it's important to
watch movies in order to master English. I always enjoy it. I'm glad there
is a library. Thank you.
Acknowledgments
Many thanks to John Abraham, Valerie Benson, Laura MacGregor, and Naoto
Usui for their helpful comments on an earlier version of this article.
References
Hirasawa, K. (Ed.). (1997). Pia cinema club yogahen
(1997-1998). Tokyo: Pia.
Maltin, L. (Ed.). (1998). Leonard Maltin's movie and
video guide. New York: Signet.
Simons, J. D. (1995). Copyright law and video in the classroom.
In C. P. Casanave & J. D. Simons (Eds.), Pedagogical perspectives
on using films in foreign language classes (Keio University SFC Monograph
#4) (pp. 78-90). Fujisawa, Japan: Keio University SFC.
Appendix A
The following is a bilingual list of "modern classic" videotapes,
divided into three levels of difficulty. Movies in each section are listed
in alphabetical order by their English titles. For descriptions, see Leonard
Maltin's Movie Video Guide.
(Editor's note: Japanese titles were included in the
original printed article but cannot be listed in The
Language Teacher Online at this time.)
Easy
Anne of Green Gables
Anne of Avonlea
Beethoven
Corrina, Corrina
ET
Father of the Bride
Free Willy
Jumanji
The Mighty Ducks
Mr. Bean Volume 8: The Best Bits of Mr. Bean
My Girl
My Neighbor Totoro
The Secret Garden
Sister Act
Toy Story
(and Disney animated features, such as)
Hercules
The Hunchback of Notre Dame
Peter Pan
Moderately difficult
Awakenings
Back to the Future
The Client
Cocktail
Cool Runnings
The Cure
Dangerous Minds
Die Hard
Dumb & Dumber
Enter the Dragon
Field of Dreams
Forrest Gump
French Kiss
Ghost
The Goonies
Home Alone
Independence Day
The Joy Luck Club
Liar Liar
Major League
Mr. Holland's Opus
Mrs. Doubtfire
My Life
Pretty Woman
The Professional
Raiders of the Lost Ark
Rocky
Roman Holiday
Sommersby
The Sound of Music
Speed
Stand by Me
Star Wars
Top Gun
Untamed Heart
Working Girl
Difficult
The Color Purple
Dead Man Walking
Fried Green Tomatoes
Gandhi
Jurassic Park
Natural Born Killers
Reality Bites
A River Runs Through It
Schindler's List
The Shawshank Redemption
When Harry Met Sally
Appendix B
Purchasing Videotapes and Equipment
Videotapes
Here are three options:
1. Buy tapes in the U.S. This is the cheapest option as you can take
advantage of the discounts offered by chain stores such as Wal-Mart and
Safeway, or you can buy previously-viewed copies from video rental stores
for half the price of new tapes.
2. Buy tapes from importers in Japan. (a) The Bookstore (part
of the Foreign Buyers Club) is convenient and relatively cheap. Their
catalog and homepage lists the small number of popular titles they have
in stock. Any other available video can be special ordered and takes about
a month to arrive. Prices vary according to the U.S. dollar-yen exchange
rate; at press time, Men in Black was 2,615 yen and Disney's The
Hunchback of Notre Dame 3,359 yen. Prices of specially ordered videos
are similar to this. Estimates can be prepared for teachers making school
budget requests. Japanese language paperwork and receipts are also available
on request. Contact information: 5-15-3F Koyochonaka, Higashinada-ku, Kobe
658-0032; t 078-857-7944; f: 0559; <http://www.fbcusa.com>;
<mail@fbcusa.com>. (b) Nena imports
the latest movie tapes and sells them for about 5,800 yen each. t: 0120-55-1815;
f: 03-3786-6370.
3. Purchase tapes by mail-order from the U.S. Leonard Maltin's Movie
Video Guide lists a number of general and specialized mail-order companies,
such as Movies Unlimited, 3015 Darnell Rd., Philadelphia, PA 19154; t: 1-215-637-4444;
f: -2350; <http: / /www.moviesunlimited.com>;
<movies@moviesunlimited.com>.
Closed-caption decoding machines
Various models with various features can be ordered through electrical
stores, for example Sanyo SLD300(L), 15,000 yen; Futek FA-400 (which includes
the option of enlarging the captions), 22,500 yen. The Bookstore and Nena
(see above) also sell decoders. Prospec (t: 0088-22-8877) sells Video Saver
Pro VSP777 (?29,800), a caption machine that also cancels the copy guard
on original videos. Their (Japanese language) homepage is <http://www.prospec.co.jp>.
Display racks and plastic cases
Wooden racks that are 180 cm tall, 11 cm deep and either 30, 45 or 60
cm wide are manufactured by Mitsuba Gakki, t: 027-261-0141. The 60 cm rack
is priced at 13,300 yen. Sturdy plastic cases for individual videotapes
can be ordered in lots of 100 (16,000 yen) from Maruzen (Yokohama), t: 045-212-2031.
Article
copyright © 1998 by the author.
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