The Language Teacher
05 - 2001
Poessays in the English Language Classroom
John Pereira, Simon Potter, Wayne K. Johnson
What is a "poessay?" Rather than being a word that you might find in the dictionary, it is a neologism formed from "poem" and "essay," its two constituent parts. On the one hand, it is poetry to be appreciated for its sounds, rhythm, dramatic impact, and imagery. On the other, it contains a flowing message, an insightful opinion, or a rhetorical argument that is usually expressed in linear prose. Examples are given after the following explanation of their pedagogic use: that is, how poessays might be useful for teaching English in Japan.
First of all, it is worth noting that poessays appeal to Japanese sensitivities in their brevity, nonlinearity, imagery, provocativeness, and humor. They are easy to read and understand, while opening up potential depths to explore. As you will see when you read them, many can be entertaining, yet at the same time convey serious thoughts, making poessays enjoyable and stimulating learning materials for English courses.
For oral English classes, poessays can first be read aloud to practice pronunciation and to get a feel for their sounds and rhythms. That poessays are not flat or monotonous adds excitement and encourages students, whether reading or repeating, to put life into their own spoken English. Once a few poessays have been read aloud for their artistry, it is possible to explore their messages, to delve into their intellectual content. A variety of techniques might be used to do so. Direct questions and answers, whether in the form of Socratic discourse (which can be fun) or something less involved, is one way to engage students. Another is to have students discuss a few poessays in pairs or groups, monitored by the teacher who might throw in a comment or two. After a sufficient amount of time has passed, the pairs or groups can report to the entire class. It is, of course, important to note that any given poessay offers a "main point" and insights, which elicit an array of responses (agreement, disagreement, or combinations), and should inspire related concepts and experiences to filter into the discussion.
For written English classes, there are at least two important uses of poessays. One is to write them. For some students this will be easy and fun, but for others it might be more of a challenge. In either case, composing poessays is a good learning experience for students: writing the English correctly (spelling and basic grammar) blends with artistic self-expression and finding the right words. Even students who feel they are deficient in English and/or in artistic ability are likely to get absorbed by the challenge.
The second use of poessays is to write about them. One or a few poessays, selected by the teacher or the students, can lead to pages of explanatory prose. Depending on the aims of a class and the level of its students, an assignment could range from a page to several, encouraging subjectivity and creativity on the part of the students.
Sample Set I
The following poessays were written by university students and published through Seika University as Communicative Times. We would appreciate receiving any interesting poessays, written by your students, that might be published in future editions (email: <sampachi@mbox.kyoto-inet.or.jp>). Anyone who would like a free copy of the latest issue should send a self-addressed stamped (80 yen) envelope to: Editor, City Press, 25-18 Okanonishi-cho, Misasagi, Yamashina-ku, Kyoto-shi, 607-8421.
Clone this is He is a True but |
Moon half moon But the moon Are |
Train I The The My head because |
I I I'm sorry After "Ouch!" My foot but |
Communication but and She is my dog |
Almighty I can He can She can No |
Money because |
Legs the second the third and they are |
Double Standard than getting But he so what does |
Lunch Time Everybody I I want But |
Far Out than But I can't |
Harmony But I have until so |
No Coffee Break The The The No he sometimes and yes O my sweet heart! |
War and Peace the worst How When The is to kill |
Thanks for cooking Thank you for cleaning Thank you for working And for being I but I'm too and so |
Loyalty my friend He is He has run He tries hard but |
My Father & Me except scholarship as trash so and my father |
Soul Brothers But He has |
My Pet he is and My pets |
Kindness I I'm not |
D-Grade but I'm as in class |
Values and |
Art of Living Students Life |
Hometown how oh Yes but Where |
Love Letter I I like fresh water I also the emerald and big Thank you for |
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Sample Set II
The following poessays were written by Gambari-kun, a foreigner
who lives in Kyoto. Some of them are from his book En not Yen
(2000) published in Kyoto by Maruzen.
Amazing as row after row looking You ask and an echo You there is
|
Now I or thank them indulge |
I Are you Buddhas who are I |
Ryoanji "It's just So |
Borderless your marriage But when (even the girl then international or not |
Killer the than who has |
None for the Road who |
Beware Japanese there is Math |
Humor and every has we can |
Social Science he has my students |
So when millions bleach and there are |
look I'm I all their eyes |
Teacher's Room when and Mr. who his Yes |
the refusing while gently drifted |
Bloodless Coup ask says Yes the the a knowledgeable with but leaving what |
Tastes Good expensive and either or to making to all how to acquire than |
Secret of my So I |
Mission Impossible give Daisetsu Suzuki when live and you Japanese |
I do so move up and are can do so to explain |
Belief Systems Judge a man Anyone (which are would Looking back I have Don't believe anything your teachers |
Scholarship one academic that and but |
Food for Thought how much the fresher |
Hobby all simple a |
Good Citizen and a (he You said Now a rib that an no |
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